INSUBCONTINENT EXCLUSIVE:
Boulevard," intricately weaves the complexities of theater and life, exploring the fascinating world of performance, ambition, and human
and passionate portrayals of love on stage, Frederick revels in his eccentricities while shunning genuine emotional ties in his personal
life.The play delves into the intrigues surrounding the theater, highlighting the often-tumultuous relationships between actors, the
ineptitude of an avaricious playwright, and the manipulative nature of a greedy manager
Within this lively backdrop, themes of happiness and the burdens that accompany the acting profession emerge, ultimately emphasizing the
untouched by the theatrical realm
Her presence challenges Frederick's long-held beliefs about love, prompting him to confront a pivotal choice: should he embrace the
stage and reality.As Frederick navigates these emotional complexities, the audience is invited to reflect on their own perceptions of love
and the often blurry lines between truth and performance
Ultimately, "Frederick" is a poignant exploration of the intricacies of love, ambition, and the human condition within the vibrant yet
precarious world of the theater.Eric-Emmanuel Schmitt is a renowned Franco-Belgian playwright, short story writer, novelist, and film
Trial" and "The Visitor," the latter winning several prestigious awards
He has also authored notable novels, including "The Gospel According to Pilate" and "The Alternative Hypothesis."Schmitt's diverse works
This article first appeared/also appeared in Tehran Times
